Stephen Wilkes has been widely recognized or over 20 years for his fine art and commercial photography. His photos are published in top magazines, his exhibitions grand and frequent, and his passion for creating beautiful images with lasting power is evident when you view his work.
In the video above, please join us as we review his latest projects. At Ellis Island we see Stephen's delicate study of light and color. In Bethlehem, PA we can see what and how he chose to portray the disappearing steel mills, a pivotal location in America's history. And most recently, his exciting project Day to Night, a fine art exploration of compressing up to 15 hours of time into a single frame.
Tying all of this together is Stephen's summation of why he chooses X-Rite's color management solutions in both his commercial and fine art projects. We hope you enjoy this inside look at a modern master's process.
For more than two decades Stephen Wilkes has been widely recognized for his fine art and commercial photography. His photographs have been exhibited in both galleries and museums, and featured in the New York Times Magazine, Vanity Fair, Time, Sports Illustrated, London Sunday Times, and Travel + Leisure. Wilkes also shoots advertising campaigns for many of the worlds leading agencies and corporations, including, SAP, IBM, PepsiCo, Wyeth Pharmaceuticals, American Express, Nike, Sony, Verizon, IBM, AT&T, Rolex, Honda, J.W.T., EuroRSCG, McCann Erickson, Ogilvy & Mather, Goodby Silverstein & Partners, and RubinPostaer among others.
Wilkes newest body of work titled Day to Night. The work embodies epic cityscapes of New York with fleeting moments throughout the day to night. Wilkes photographs from one camera angle continuously for approximately 15 hours. A select group of images are then electronically blended into one photograph. The photographs have been exhibited at Clampart Gallery in NYC, and Monroe Gallery in Santa Fe. CBS Sunday Morning featured Wilkes in a segment on his process in creating Day to Night images on November 4, 2012.
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